Representing the Roman School of expressionist eclectic architects in the 1920s, Sabbatini’s anthropomorphic buildings raise a wry smile
Innocenzo Sabbatini (1891-1983) built entirely new forms of mass housing in several parts of rapidly expanding 1920s & ’30s Rome,accommodating thousands in robust, well-designed complexes that are appreciated by many for their urban presence and salutary layouts that balanced overall coherence with individual access to light and multiple aspects.
He also designed an apartment building that looked like someone had taken the facade of the Oratorio dei Filippini, pressed it flat in some sort of architectural scrapyard crushing machine, cut its edges off to give it nice sharp, crisp sides, and then spiked, punctured and gridded its face with a huge garlic crusher.
As billboard as anything the Venturis ever did, and as brawny as the biggest Bofill, with balconies like the eyes of an angry dictator and two pediments like furrowed brows, Sabbatini left us with this huge architectural aside, like an actor that turns towards us in the movie and winks at the camera, it’s a relief, a flourish, a flash of thigh.
And as we are left wondering if that guy really did wink at us, so Sabbatini’s slip, his ‘oops, sorry, did I really just do that?’ cannot be found, has not been noted as demolished, has no dates attached to it, has nowhere left its traces other than that it was most likely facing a square, in the west of the city, now banal, enlivened only by the thought that potentially, per chance there possibly was a piquant palazzo that winked at us.
But there is no way of being sure.
The Roman Singularity