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Craft

Ensorweb

Outrage: ‘Craft might make us happier but it’s not going to save the world’Subscription

A bad design is a bad design, whatever technology is used to make it

Psaltercraftsmanship

Peter Salter on Craftsmanship: ‘The iterative process whereby one learns from others the way of the road’Subscription

Craft and its tools are not sentimental trinkets - it is the obsessive honing and learning of solutions to material problems

Botschafterstuhl werkstatt 01 verena bruening

‘Craft contains the critical thinking that could unpack the current state of architecture’Subscription

As making goes mainstream, the search for authenticity accelerates

Editorialindex

Editorial: ‘There are easier ways to make a magazine, but along paths we choose not to take’Subscription

Unlike the artisanal, craft has no orthodoxy, no right way to make, only more or less appealing results

Vermeertypology

Typology: Artist StudioSubscription

The studio reflects the changing status of artists through time, from the humble workspace of art workers to the hallowed ground of masters

Williammorris

‘We are not the first to believe in the utopia of craft to deliver us from the shock of modernity’Subscription

We must not be drawn into the fictional satisfactions of nostalgia – whether in the artisanal bread we eat or an overworked Arts and Crafts detail

Craftcover

February 2017 on CraftSubscription

1438: Studio Mumbai | Peter Zumthor | Peter Salter | Liu Jiakun | Gianni Botsford | David Adjaye | Wim Goes | Fernando Menis | Typology: Studio | William Burges 

Index

AR 120: Yvonne Farrell on Art + CraftSubscription

Even under time and financial pressures there is an eagerness to work collectively to create and share skills to build