Iwan Baan is the most sought after architectural photographer on earth. Living entirely from suitcases and hotel rooms, he is courted by architectural royalty the world over. As his new show 52 Weeks, 52 Cities opens in Herford, Germany, Baan speaks to the AR’s creative director Simon Esterson about his photography and fascination with ordinary people’s extraordinary use of space
Sculptural architecture can be moving, monstrous, or just plain arbitrary: a group of exhibitions in LA explores the borderline between the two spatial disciplines
The angst of backwardness and its consequences: Reflecting on the huge changes that have occurred in London over his long career, Leon Krier argues in this essay that it is traditional urbanism - not dense Modernism - that offers the solutions to the planet’s ecological problems
In the late 1960s, Arthur Erickson’s heroic campus for the University of Lethbridge in Alberta emerged from the coulées of the Canadian prairie. Assailed by insensitive additions of intervening decades, a new masterplan promises renewal
From the Smithsons’ claim to have originally coined the term, to its alleged incarnation in the béton brut of Le Corbusier’s Unités, the provenance of New Brutalism, seen as a corrective to ‘soft’ Modernism, is as problematic as what it stood for: ethic or aesthetic?
The bustling metropolis bustles no more, as emptied docks become waterside developments, markets move to the peripheries and industry elopes, draining the lifeblood of the city