As a major exhibition opens at the V&A on the same subject, Charles Jencks has published an account of Postmodernism’s historic and unfolding story. While the author includes many recent architectural projects, these later examples emerge as antithetical to the movement’s original intent. But if the current crop of architecture is devoid of meaning, could Postmodernism find a future in the complexity of the city and a world of rapid scientific and technological transition?
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