By continuing to use the site you agree to our Privacy & Cookies policy

Palladio Reassessed by Eisenman

Peter Eisenman’s current exhibition at Yale School of Architecture leaves behind the mathematical analysis of Palladio’s villas espoused by Colin Rowe and replaces it with a volumetric analysis. In so doing, Eisenman overturns much of the traditional thinking around Palladio, and shows him to be an endlessly parametric experimenter and a paradigm for the present

Sign in required

Create a free account to read this article

This article is free to read if you are signed into The Architectural Review website. Don't have an account yet? Create one here. Already got an account? Log in here.

Register to read this article

To read this and other articles on the AR website simply create your AR login by registering here.

Register

Our records show you are already a registered user. Please sign-in with your password...

By continuing to use the site you agree to our Privacy & Cookies policy

Already registered?

Sign in to The Architectural Review website below.


Forgotten password

Venice Biennale

Venice Biennale 2014

Venice Architecture Biennale 2014: The AR's Complete Coverage

From Charles Jencks to Liza Fior, read The Architectural Review critics’ take on every element of the 2014 Biennale

Featured Stories

The AR Drawings Blog