Palladio Reassessed by Eisenman
Peter Eisenman’s current exhibition at Yale School of Architecture leaves behind the mathematical analysis of Palladio’s villas espoused by Colin Rowe and replaces it with a volumetric analysis. In so doing, Eisenman overturns much of the traditional thinking around Palladio, and shows him to be an endlessly parametric experimenter and a paradigm for the present
Sign in required
Sign in to read this article
This article is free to read if you are signed into The Architectural Review website.
Got an account?
Sign into The Architectural Review website below.